Date: February, 2016
Size: 83.8 x 59 cm
Material: Charcoal, chalk and pastel on black sugar paper
Uncovered
The human body in one of its most natural forms is frequently drawn in classes and private moments, differing between the eyes of the viewers. It is often said that beauty is in the eye of the beholder.
Date: February, 2016
Size: 62.7 x 22.9 cm
Medium: Black acrylic paint and graphite pencil on Daler Rowney mount board
Ed Sheeran
Taken from inspirations in 2016, including celebrity, song and film quotes, Ed Sheeran, and hyperrealism. These are amalgamated into a visual representation of how our influences can alter our perception, and in this case, the representation of the celebrity in a ‘black and white world’.
Date: February 2016
Size: 26.6 x 60.3 x 22.8 cm
Medium: Steel and black spray paint
Rusty Human
Humans have turned to technology to lean on it more, from aid and assistance, to forcing expectations and boundaries. However metal wears down, as does the body. The use of scrap metal highlights the imperfections within the body, and the black spray paint can only cover parts of these imperfections. We may be able to use technology to aid the human body, but there will always be imperfections and ageing.
Date: February 2016
Size: 90 x 90 cm
Material: Acrylic paint on canvas
50 Shades of Blue
Things are not always black and white, nor what they seem. Colour plays a large role in emotions and race. Darker, subtle tones brings a sadness across the eyes and through the lips. Ultramarine, mauve and pale grey tears through the portrait, drawing you in.
As part of Project 365 in May, I completed a 50 x 50 cm canvas of a 10 x 10 large sudoku on an 8 x 8 grid. Using pastel colours in acrylic paint, the calm and soft hues change throughout the day depending on the light that streams through my studio window. It was the first canvas that I have completed in a long time, and although it took several days, I feel proud of this achievement.
A sudoku can be defined as “a puzzle in which players insert the numbers one to nine into a grid consisting of nine squares subdivided into a further nine smaller squares in such a way that every number appears one in each horizonal line, vertical line, and square.”
A megadoku is generally considered a sudoku larger than this nine by nine grid. As a child, and even now as an adult, I deeply enjoy sitting down with a puzzle book and completing sudoku after sudoku after sudoku. The patterns that are within these have also intrigued me, seeing them as perhaps colours, or indeed larger artworks.
It was this inspiration of the patterns and the soothing nature of painting that inspired me to crack out a canvas. I worked through each colour, ensuring I kept to the pattern of the 10 x 10 megadoku. I was originally going to curve the pattern around the sides of the canvas as the canvas is around an inch thick. As I continued to paint the canvas, I decided to keep these sides white and clean, with the final design being the central 8 x 8 grid of the 10 x 10 megadoku.
I enjoyed the painting process of this, following the straight lines and cutting into the corners of each square. A part of me wishes to create a larger version of this, using both a bigger pattern and larger square canvas. In the meantime, I enjoy the view of this painting every day as it hangs above my desk.
Date: May 2020
Size: 1.3 x 1.24 x 2 m
Material: Bamboo, twine, plaster, sellotape
“To come together to form a single unit”
Arms of plaster support forms of bamboo. Stretching the limits of the relationship between the materials and space. Fighting balance, tension and gravity. A constant stream is drawn with bamboo and plaster.
Date: May 2020
Size: A5
Material: Ink pen on printer paper
Transformation between materials and scale, practising, planning. The intricacy of layers in transformable objects. Determining the next steps.
Date: March 2020
Size: 2 x 2.5 x 2.5 ft
Material: Bamboo, twine, plaster
Gravity takes its toll when adding weight. Unpolished, it could be disturbed by a simple knock or push. Holding itself in the moment. Two materials forced into a moulded relationship, to work together, to balance. Too heavy to hold itself without support.
Date: March 2020
Size: 2 x 2 ft
Material: Bamboo, red wool, brown wool, blue wool, white wool
Tepid or harsh. Soft against solid. Natural materials coming together to intersect and encompass. Exploring tension, fluidity, stasis. Blend in to the bamboo, or contrast against it. Linking and weaving together. Planning, preparation.
Date: March 2020
Size: 2 x 2 x 2 ft
Material: Bamboo, twine, wool
Tightening joints, making barriers and creating tension. Sturdy cube, gravity acting upon its weight. A methodological working of the twine, to intersect the bamboo and create it’s simple innocence. A series of linked, transformable items.