I was invited to Stour Space, London, as part of Art Clubbers first exhibition, Bloomin’ – Growing into Art. This was somewhat a familiar experience of setting up exhibitions and collaborating together to ensure that all pieces were hung in a suitable time, and getting everyone the space that they wanted. I exhibited I Am Not The Label You Give Me as a set, the first time they have been framed after the Study Abroad exhibition earlier in the year. Stour Space is a gallery and working space for artists, and I enjoyed the set up of the gallery as well as it not being a clean cut space – it has been well loved and I feel like that not only added to my piece, but also the exhibition as a whole.
The opening was very exciting, with lots of people engaging and commenting on the works. It was the only photographic piece there and stood out due to its clear position from the door of the gallery, as well as the clear cut mode of presentation. Doing this exhibition has spurred me on to enter more calls for submissions in different areas to see my work in more of a professional space.
All images courtesy of Art Clubbers Facebook – Bloomin’ Into Art
I was invited back to the Tate Exchange 2019 with Art Lab for ‘a series of participatory workshops that will enable visitors to explore the theme of movement’. There were several stations on the 5th floor of the Blavatnik Building in Tate Modern that lead people through different types of motion. Some of these were by other departments from the School of Arts and Graphic Communication at the University of Reading, including performance workshops and conversations around the theme of travelling and movement.
One of these was a ‘listen and draw’ activity, asking people to react on paper with pens and pencils to what they heard on headphones, in a silent disco manner. The sound recordings were made by first year students in the module Reading Objects Writing Images. Both schools and members of the public found this a very fun activity which allowed freedom around the papered space. As they were approaching a large piece of paper that was not blank, it was less daunting and allowed further engagement from those of all ages.
The second station of Art Lab’s was that of a selfie sphere which was a big shiny ball suspended from the ceiling. Participants were invited to draw a self portrait in this sphere and then take a 360 image with a GoPro with these self portraits on their head. We found that many would want a photo without the drawing, however it was still a very engaging activity with all ages.
The last station that Art Lab ran was the one I helped out most frequently with over the weekend. This used Augmented Reality (AR) through an iPad, which was placed onto a TV screen. It was originally intended for people to act like sculptures, recreating images, however it ended up that people were interacting more with the objects and animals that we were placing on the screen. We also found that this interaction caused a lot more enjoyment, and allowed us to play around more with the software. It was particularly funny to see the confused faces of those who saw the object on the screen, but not on the ground in front of them.
I also helped in the social media management of the event, posting to @artlabuor and @unirdg_art Instagram accounts to promote the activities. Interacting in a different way than helping out at the stations allowed me to see more of the background work that goes into such a large event. I look forward to see more of the running of large events such as this, and helping in the Tate Exchange with ArtLAB next year.
The study abroad exhibition was a hit success with works being displayed by Romaisa Bhatti, Celdice James, Hira Syed, Zoë Lee, Christine Glover and myself. We had a wide range of practices coming together in two locations to create a flowing exhibition, showcasing the work done while on study abroad in the previous term. I initially had concerns with my photography pieces being opposite windows due to reflection, however this was a smaller problem than first thought. I also felt that it was wise that I did not frame any of the pieces, as the uniform bulldog clips that I had practised in the exhibition preparation worked well for all of the pieces of work. Overall, I was happy to be part of the exhibition and found it a success. In the future, I aim to be more aware of the flow of people especially when there is work between two locations that are blocked by a locked door.
I was chosen to be part of this year’s University of Reading Creative Arts Anthology, which has for the first time, included visual arts as well as poetry and prose. This years theme is The Eye That Looks, somewhat very appropriate for the piece, Fire Escape Clarence, that I submitted while on study abroad at the University of Ottawa. This piece has been a large inspiration for the current projects of making miniature stairs, and photographing them with black and white film. I was invited to speak about my piece on Monday 11th February within the University, along with others who contributed to this years anthology.
Charlotte Abraham is a current third year Art and Psychology student at the university. She uses a wide range of mediums to make people see everyday objects and scenarios in a way they have never been seen before. Her recent work centres around the practice of black and white photography, shooting and developing all film and photographs herself. While on study abroad in Ottawa, Charlotte was inspired by the cityscape around her and photographed stairs, fire escapes and barriers, placing them vertical and creating the need to see them in the correct orientation.
Name: Fire Escape Clarence
Artist: Charlotte Abraham
Medium: Ilford HP5 Plus 400 Black and White Film on Ilford MGIV RC De Luxe Pearl Paper
Size: 8 x 10″ (20.32 x 25.4 cm)
Recently, in my term abroad at the University of Ottawa, I completed a collection of black and white photographs looking at breaking stereotypes. This work has now been published on the university’s website, along with a small written piece by Robert Greeley, for all to realise that ‘I Am Not The Label You Give Me‘.
“Is Charlotte Abraham a nerd? The third-year international exchange student included herself in a suite of photos titled “I Am Not the Label You Give Me” that challenges us to stop and question common stereotypes.
Abraham, who studied at uOttawa in the fall, recently returned to Britain to complete her degree in art and psychology at the University of Reading. However, toward the end of her semester here, she embraced the opportunity to take part in an exposition, hosted by International House, called “Don’t Feed the Stereotype.” The campaign took a pop culture approach to promoting diversity by debunking stereotypes.
Submissions could be in any medium, so Abraham decided to use the 35mm photography skills she had learned in a uOttawa art class. She loaded her camera with black and white film to create a collection of striking 8” x 10” images.
“‘I Am Not the Label You Give Me’ wants to get those who make stereotypical judgments to think about what they say and how it might affect those they are talking about,” Abraham says. “Pointing out that people are not always the stereotypical labels you give them is just a small step in the march to equality.””
Don’t Feed the Stereotype was a pop up exhibition with artwork by international students, and is continued campaign at the University Ottawa. This exhibition took a popular culture or religious approach to addressing issues of diversity, in an effort to promote a positive approach to diversity on campus.
I Am Not The Label You Give Me was my project response to this, showing how we are quick to judge people and give them stereotypical labels, even though these are often far from the truth. I chose 10 participants to write down a stereotypical word, phrase or question that they have been told or asked in the past. This could have commented on gender, sexual orientation, religion, career choice, and many other factors. This work was inspired by the six-hundred photograph series Signs that Say What You Want Them To Say and Not Signs that Say What Someone Else Wants You To Say by Gillian Wearing. Jo Spence also provided inspiration with her works that use found objects to display words. I wished to display it in a grid formation, such as the systematic formulation of Arnaud Maggs.
The photographs were taken with a 35mm camera and black and white film. I developed the film and photographs on hand, producing twenty 8×10″ photographs.
These prints are not perfect, and I understand that as there are scratches and marks on the negatives, and some needed a stronger filter than others. I would have liked extreme detail in my photographs, such as the ones Richard Learoyd produces, but I knew that this may not be the case. Despite these technical difficulties, I believe that the overall piece is still able to project the central idea, that people do not live under the stereotypical labels that we may give them.
I, unfortunately, had little say in the display of the prints within the pop up exhibition. I ultimately wanted them framed and on the wall, however due to the small space with no walls, the choice was to display them in a photo book. This allowed the piece to be more interactive than I perhaps originally anticipated, but did not have the same impact that I wished for. When displaying again, I will have them in frames and up on the wall in a grid formation.
The Sans Camera exhibition was a two-week long exhibition held at Galerie 5.6 at the art department, University of Ottawa. This was a student effort, collaborating to curate a themed exhibition. The work chosen was from out first photography assignment, using pinhole cameras as well as photograms and invented negatives. Working as a group, we were able to choose two works from each person, selecting out of the ones the student wanted to exhibit. The photograms and invented negatives were then displayed in a portrait manner, laid across one wall with the pinhole photography reflecting them on the other side. The exhibition even went around the corner and down the corridor, enticing people to see it when they were walking through the department. To further entice those in the department to take a look at the exhibition, the pinhole cameras were displayed on a wall upstairs on the main floor, with instructions to go downstairs and see the photos that these cameras produced.
Those who came to the exhibition reception, held at the end of the exhibition, found viewing the cameras very exciting as they were not anticipating cardboard boxes and coffee tins. Holding the exhibition in Galerie 5.6 also allowed those visiting to gain more of an idea of our process and areas that we work in, allowing them to somewhat appreciate the work further.
The two works I submitted to the exhibition were “to pytalise” , an invented negative of my saliva, and Churchgoers, a pinhole photograph of cars lined up by the nearby church. These suited the theme of the exhibition, but also stood out, especially that of “to pytalise”, due to its subject matter.
The exhibition has now moved to Paradigm(e) Gallery, which is the Dean’s gallery at the University of Ottawa until the end of February, where they are all on sale.
This was the final event for the Reading Scholars 2017/18, held at the University of Reading over three days and two nights. Such as the second event in Tate Modern, I was once again asked to create a video to display the activities that the Scholars got up to over this residential. Although all the strands were at the University, including Business, Biology, Maths, English, Art, Chemistry and Languages, the video primarily captures the events of the Art and Design strand. Activities here, included cyanotypes, photograms, clay, sculpture, instructional artwork, letter press and InDesign work. Each of the Scholars were able to take what they had made with them as something to remember the Reading Scholars by, and something unique to add to their portfolio.
I enjoyed creating this video, and look forward to working with the next cohort of Reading Scholars on some new and exiting projects and events.
I have recently been working with a new start up business called Orchid Therapeutics who offer seated and normal massage, specifically targeting local companies and those with impairments. My role with them has been to offer guidance and advice on business cards, leaflets, logo design and a free, simple website. I found this experience to be very useful as I have not necessarily worked with customers directly before, and it helped me narrow down the possible questions and explanations that would be needed for future projects. This experience has also helped me with business lingo, and translating complex systems into something that someone non-technology based can understand. Through the minimal information given at the beginning of the project and constant communication with the customer, I believe that I have been able to provide the products and services that they hoped for.
The design is inspired by the calmness and serenity felt when experiencing a massage, as well as being clear and informative for future customers. A Twitter account and website were also created, and the artist helped to update the Facebook group.
There were some difficulties along the way, including spelling mistakes on a just printed business card, but the customer understood the situation, especially given that several people had checked over the design and wording. I was able to learn from this mistake, and I now double check spelling and grammar errors through Microsoft Word, before and after InDesign. Through this process, I believe that I have massively grown my InDesign skills and customer service. It was very exciting to work with someone so local, and to work with a local printing press also.