Over Easter, I originally designed four different layouts for the final, summative exhibition. I based a lot of this on the Week 8 exhibition where I found the circles and continuation of the stairs off of the piece to be very successful. These original designs were very full on, taking into account everything that I had done; cyanotypes, photograms, prints that had been cut into and the matchstick stairs. I wanted to display too much.
After a much needed conversation about my work, I realised that the simplicity of the piece worked best in the Week 8 exhibition. I had originally crossed the boundaries by making sculpture into a photographic substance, but I wanted to cross it the other way this time by making the photographic substance, sculptural.
After much deliberation, I needed to step away from the automatic reaction to display things in a frame, and decided to utilise the cut out elements as the missing sculpture. By sandwiching the triptych of individual photographs in Perspex sheets, the light will be able to pass through and highlight this element. I would hang the photographs with cut out stairs from the beams in the art department in somewhere with lots of natural light. I would then hang a triptych of photograms from another beam near by, so that they are in conversation with each other. Because the photograms will not have the stairs cut out, I may have one on each side so that there are a total of three triptych’s in total. This is what I aim to experiment in the department with string and plastic sleeves.
With the perspex, I am also looking to hang it with wire for a seamless look. I would also prefer wire to a thicker chain as it hints towards the thin lines that have been cut from the photograph, and almost translated into the material it now hangs from.
Above: A selection of possible display formats for the photograph set, and the up-to six photograms.