Françoise Sullivan

Currently on display in Musée d’art contemporain de Montréal, is a body of work that Sullivan has built through a broad range of activities, from dance to painting, sculpture, conceptual artwork and writing. Throughout this, she continued to to explore the sources of human nature and went through successive periods of aesthetic questioning. It was almost as if, once Sullivan masters a medium or particular artistic approach, there was a change in course in order to set off in a new direction.
When walking into the exhibition, it was not as though this was the work of one artist. There was a huge variety in the use of materials, mediums used and the ways in which these were all displayed in one space. There was a large juxtaposition between the mediums of film and sculpture or painting in particular as there seemed like no links between them due to the nature of the medium and the way in which they were used. However, there was one recurring theme throughout the work that could be seen; constant movement.
Performance pieces seem very free, and based on the internal and gut reaction to the music as it plays, creating very free and flowing movements that are devoid of thought. These performances have also been captured in different ways along with different performers, keeping the viewer interacted with individual headphones and images. If I were to go back to performance, or want a different way to display something, I feel like I would look back on this exhibition as inspiration.

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