One of Antony Gormley’s most famous pieces (except the Angel of the North) has been the room full of terracotta figures, which were created with the help of school children. This, along with the rest of his artworks, are often left in a very natural form, with rough edges and joins left visible to the viewer. Much of his work at the beginning was based around the human form, and the ways in which these can be distorted, but still be recognised as a human figure. These were mainly sculptures, however Antony Gormley also explored the medium of drawing. The sculptures has been namely metal work, and also working in softer materials such as terracotta and clay. The brutality and natural breakable form of each of these materials has given each of his works a strength, such as that humans show, but a fragility, that they can be broken as easily as we can.